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VIV 1834, VIV 1835


Sonatas for the Piano or Harpsichord with Violin Obbligato
By Maria Hester Reynolds Edited by Barbara Harbach

Although Maria Hester Reynolds Park (1760-1813) was active as an English composer and teacher from c. 1785-1811, there is not much information available about her early life. Her Op. 1 and 2 were published under her maiden name, Maria Hester Reynolds. Op. 1 contains six two-movement sonatas with melodic inventiveness and an interesting obbligato violin part. The first movements are well-developed sonata forms that demonstrate great freedom and proficiency of form.
VIV 1834 Sonatas for the Piano or Harpsichord with Violin Obbligato Vol. 1, 54 pages, $22.95 (contains Sonatas 1-3 from Op. 1)

VIV 1835 Sonatas for the Piano or Harpsichord with Violin Obbligato Vol. 2, 48 pages, $22.95 (contains Sonatas 4-6 from Op. 1)


Click here to view a page of Vol. 1.
Click here to view a page of Vol. 2.


A Brief Bio of the Editor

Barbara Harbach has a large catalog of works, including symphonies, opera, string orchestra, musicals, works for chamber ensembles, film scores, modern ballets, organ, harpsichord, piano, choral anthems, and many arrangements for brass and organ of various Baroque works. She is also involved in the research, editing, publication and recording of manuscripts of eighteenth-century keyboard composers as well as historical and contemporary women composers. Her work is available in both recorded and published form through MSR Classics, Naxos Records, Gasparo Records, Kingdom Records, Albany Records, Northeastern Records, Hester Park, Robert King Music, Elkan-Vogel, Augsburg Fortress, Agape Music and Vivace Press. Harbach is also the editor of the journal, Women of Note Quarterly.

“Harbach’s music astonished me for its heavy reliance on the lyric and the beautifully (and cogently) framed melodic line. I could listen to her music for hours.” American Record Guide ~ March / April 2008. “ Harbach has distinguished herself as one of the preeminent American composers of any generation.” All Music Guide ~ December 2007.

Harbach has toured extensively as both concert organist and harpsichordist and her lively performances and recordings have captured the imagination of many American composers, and the body of work written for and dedicated to Harbach is substantial. Musical America has called her “nothing short of brilliant,” and Gramophone has cited her as an “acknowledged interpreter – and, indeed, muse – of modern harpsichord music.” She was host of the weekly television music series Palouse Performance seen throughout the Inland Northwest.

Currently professor of music at the University of Missouri-St. Louis, she holds academic degrees from Pennsylvania State University (B.A.), Yale University (M.M.A.), Musikhochschule (Konzertdiplom) in Frankfurt, Germany, and the Eastman School of Music (D.M.A.). In 2002, Harbach received an honorary doctorate in music, honoris causa, from Wilmington College, Ohio for her lifetime achievement as a composer, performer, editor and publisher.

Barbara Harbach initiated Women in the Arts-St. Louis, a celebration of the achievements of women creators. The over 800 events by various cultural organizations in the St. Louis region provided audiences with new and historical examples of the work of women writers, composers and artists. In 2006 for her work Women in the Arts-St. Louis she was the recipient of the Arts Education Award from the Missouri Arts Council; the Missouri Citizen for the Arts Award; the Yellow rose Award from the Zonta International Club of St. Louis; the UM-St. Louis College of Fine Arts and Communication, Faculty Excellence Award; and in 2007 she was awarded the Hellenic Spirit Foundation Award.


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