VIV 932


Separately Together: Synesthesia for Chamber Ensemble
By Barbara Harbach

Separately Together, a five-movement work for chamber ensemble, was inspired by pioneer director Alice Guy Blaché’s 1913 silent film A House Divided. The piece explores a variety of emotions and atmospheres that reflect the sensory images of the film. The instruments form an integrated tapestry of sound yet retain their separate colors. Separately Together is written for flute, clarinet in B-flat, piano, violin, viola and violoncello.
VIV 932, 16 pages, $38.95

Click here to view a page of the score I. Lilting lines - Careening Melodies

Click here to view a page of the score II. Spattering Notes

Click here to view a page of the score III. Dancing Rhythms

Click here to view a page of the score IV. Lyrical Re-vision

Click here to view a page of the score V. Crescendo of Colors

A Brief Bio of the Composer

Dr. Barbara Harbach, Professor of Music at the University of Missouri-St. Louis, has toured extensively as both concert organist and harpsichordist. She holds academic degrees from Pennsylvania State University (B.A.), Yale University (M.M.A.), Musikhochschule (Konzertdiplom) in Frankfurt, Germany, and the Eastman School of Music (D.M.A.). In 2002, Harbach received an honorary doctorate in music, honoris causa, from Wilmington College, Ohio for her lifetime achievement as a composer, performer, editor, and publisher.

Her lively performances and recordings have captured the imagination of many American composers, and the body of work written for and dedicated to Harbach is substantial. Musical America has called her "nothing short of brilliant" and Gramophone has cited her as an "acknowledged interpreter -- and, indeed, muse -- of modern harpsichord music."

She was host of the weekly television music series Palouse Performance seen throughout the Inland Northwest.

As a composer, Harbach has written symphonies, works for chamber ensemble, string orchestra, organ, harpsichord; musicals, choral anthems, film scores, modern ballets, and many arrangements for brass and organ of various Baroque works. She is also involved in the research, editing and publication of manuscripts of eighteenth-century keyboard composers as well as historical and contemporary women composers. Her work is available in both recorded and published form through Naxos Records, Gasparo Records, Kingdom Records, Albany Records, Northeastern Records, Hester Park, Robert King Music, Elkan-Vogel, Augsburg Publishing, Agape Music and Vivace Press. In addition, Harbach is the editor of Women of Note Quarterly.

Harbach initiated Women in the Arts-St. Louis, a celebration featuring over 800 events with various cultural organizations in the St. Louis region. This initiative heightened the awareness and understanding of the achievements of women creators while providing audiences with new and historical examples of the work of women writers, composers and artists.


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