Vivace Press
Selected Articles, Citations, and Reviews Since 1992

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Boston Globe * The Sacramento Bee * Seattle Post-Intelligencer * Omaha World-Herald * Mesa Tribune/Scottsdale Life (AZ) * The Bellingham Herald (WA) * The Tri-Cities Herald (WA) * Spokesman-Review (WA) * Lewiston Morning Tribune (ID) * Lincoln Journal Star * Moscow-Pullman Daily News (WA) * The Kansas City Star * Daily Nebraskan * Walla-Walla Union Bulletin (WA) * The American Organist * American Record Guide * Piano & Keyboard * Clavier * Choir & Organ * Fanfare * Cadence * Jazz Times * The Diapason * Journal of the Conductors' Guild * Music Article Guide * Journal of the Association of Anglican Musicians * Knight-Ridder Tribune Graphics * The Daily Evergreen (WA) * The Idahonian/Daily News (WA) * Southeastern Historical Keyboard Society Newsletter * Soli Deo Gloria * American Music Teacher * Keyboard Classics * International Alliance for Women in Music * Continuo * Choir & Organ * Hilltopics (WA) * Strings * Feminist Periodicals * Appleton Post-Crescent (WI) * Feminist Collections * The Delian * Oshkosh Northwestern (WI) * Stevens Point Journal (WI) * IAWM Journal * CrossAccent: Journal of the Association of Lutheran Church Musicians * Sforzando *

“Christmas in Dallas,” The American Organist, July 1998 (review)
“Educational Music from Eastern Europe,” Piano & Keyboard, March/April 1998 (citation in article)
“Women of Note Quarterly,” Feminist Periodicals, Winter 1998 (citation)
“Professing with love: Barbara Harbach is on a musical mission,” The Appleton Post-Crescent, December 11, 1997 (article)
“Christmas in Dallas,” Fanfare, November/December 1997 (review)
“Close Your Eyes,” International Trumpet Guild Journal, September 1997 (review)
“Vivace Press catalog,” Feminist Collections, Summer 1997 (citation)
“Summershimmer,” American Record Guide, May/June 1997 (review)
“Three Leaves of Grass for Piano,” The Delian, April 1997 (review)
“Women of Note Quarterly,” Feminist Collections, Spring 1997 (citation)
“Organist to perform,” Stevens Point Journal, March 17, 1997 (article)
“Noted organist to play concert,” Stevens Point Journal, March 12, 1997 (article)
“Sonatas by Elizabeth,” IAWM Journal, February 1997 (review)
“Summershimmer,” The Diapason, February 1997 (citation)
“Sonatas by Elizabeth,” Sforzando, February 1997 (review)
“Mexican Composers for Organ, Volume 3,” The American Organist, February 1997 (citation)
“Carry On, Roberta,” CrossAccent: Journal of the Association of Lutheran Church Musicians, January, 1997 (citation, excerpt)
“Women Composers for Organ,” Fanfare, January/February 1997 (review)
“Robert Starer, Electric Church and The Walls of Jerusalem,” Piano & Keyboard, November 1996 (review)
“Matthew Camidge, Six Concertos for Solo Organ,” The American Organist, September 1996 (review)
Sonata for Violin and Piano by Irene Britton Smith,” Strings, July/August 1996 (review)
“Classical Prodigies,Sheet Music by Elizabeth Weichsell,” Piano & Keyboard, July/August 1996 (review)
“Classical Prodigies,” American Music Teacher, June/July 1996 (citation)
“From the Organ Loft: Jewish Composers,” Guild of Temple Musicians, May 1996 (reviews)
“Fanny Hensel and Other Works by Women,” The American Organist, May 1996 (citation)
“Flamenco Spirit: Mexican Composers for Organ,” Choir & Organ, Spring 1996 (review)
“Classical Prodigies,” Fanfare, March/April 1996 (review)
“Sonatas by Elizabeth,” American Record Guide, March/April 1996 (review)
“Quantum Quirks of a Quick Quaint Quark,” “What is the World to Me,” “We Offer Thanks,” Journal of the Association of Anglican Musicians, March 1996 (reviews)
“Close Your Eyes: Women Jazz Composers,” Cadence, March 1996 (review)
“Five Interludes for Piano,” International Alliance for Women in Music, February 1996 (citation)
“We Offer Thanks and Praise,” Clavier, February 1996 (review)
“Barbara Harbach, Hester Park and Other Women of Note,” Fanfare, January/February 1996 (article)
“Close Your Eyes: Women Jazz Composers,” Fanfare, January/February 1996 (review)
“Sonatas by Elizabeth,” Fanfare, January/February 1996 (review)
“Classical Prodigies,” The Diapason, January 1996 (citation)
“What is the World to Me,” Clavier, January 1996 (review)
“Two 'New' Elizabeths,” Piano and Keyboard, January 2, 1996 (review)
“Women composers: Specialty music spawns surprises,” Mesa Tribune/Scottsdale Life, December 15, 1995 (article)
“Close Your Eyes: Women Jazz Composers,” Jazz Times, December 1995 (citation)
“Sonatas by Elizabeth,” The Diapason, December 1995 (citation)
The Diapason, December 1995 (citation)
“UNL finalist would link technology, learning,” Lincoln Journal Star, November 23, 1995 (citation)
“Close Your Eyes: Women Jazz Composers” & “Sonatas by Elizabeth,” Hilltopics, November 1995 (article)
“UNL finalist George involved in virtual education project,” Omaha World-Herald, November 22, 1995 (citation)
“WSU provost to jazz Lincoln campus today,” Daily Nebraskan, November 21, 1995 (citation)
“Kudos and thanks,” The Daily Evergreen, October 27, 1995 (citation)
“Sonatas by Elizabeth,” The Spokesman-Review, October 22, 1995 (review)
“Diverging musical tastes get trio of treats,” The Tri-Cities Herald, October 20, 1995 (article)
“Organist records CD at St. Paul's,” The Bellingham Herald, October 5, 1995 (article)
“Women Composers: Lost and Found,” The Sacramento Bee, October 1, 1995 (review)
“Harbach records 1700s women's talent on new CD,” Moscow-Pullman Daily News, Sept. 28, 1995 (article)
“Provost to host EWU radio program,” The Daily Evergreen, August 22, 1995 (article)
“Female jazz writers featured in new CD,” Moscow-Pullman Daily News, August 10, 1995 (article)
“Pullman company releases compact disc,” Lewiston Morning Tribune, August 4, 1995 (article)
The American Organist, August 1995 (citation)
“Fanfare and Toccata on 'Lasst Uns Erfreuen,'” Clavier, May/June 1995 (review)
“Organ Music by Women Composers Before 1800,” Clavier, May/June 1995 (review)
“Mexican Composers for the Organ, Vol. 1: Ramon Noble,” Clavier, May/June 1995 (review)
“Prelude for Organ,” Clavier, May/June 1995 (review)
“Prelude and Fugue for Organ, Op. 16, No. 3,” The Journal of the Association of Anglican Musicians, May 1995 (review)
“Prelude and Fugue for Organ, Op. 16, No. 3,” Clavier, April 1995 (review)
“Arias for Trumpet and Organ,” Clavier, April 1995 (review)
“The rise and rediscovery of women composers,” The Kansas City Star, April 2, 1995 (quote and citation within article)
“Society restricted female composers,” and “Music of women composers given exposure,” The Lewiston Morning Tribune, March 10, 1995 (articles)
“As Sun Disperses the Mourning Clouds,” The Journal of the Association of Anglican Musicians, March 1995 (review)
“Women share a noteworthy history,” Seattle Post-Intelligencer, February 23, 1995 (article)
“Quantum Quirks of a Quick Quaint Quark, no 2 for Organ,” Clavier, February 1995 (review)
“Magazine making musical waves,” The Spokesman Review, December 27, 1994 (article)
“Magazine puts women in spotlight,” Moscow-Pullman Daily News, December 15, 1994 (article)
Knight-Ridder Tribune Graphics, November 16, 1994 (citation)
“Concerto for the Piano in E-flat Major,” Piano and Keyboard, Sept/Oct 1994 (review)
“Recordings showcase women composers,” Walla Walla Union-Bulletin, August 22, 1994 (quote and citation in article)
Southeastern Historical Keyboard Society Newsletter, Winter 1993-94 (review)
“The Young Schumanns,” Piano and Keyboard, November/December 1993 (citation)
“The Luther Cantata,” Soli Deo Gloria, Pentecost/Advent 1993 (review)
“Helene Montgeroult: Composer and Piano Pedagogue of the Paris Conservatoire,” Music Article Guide, Fall 1993 (citation)
“Profile: JoAnn Falletta” by Jonathan Yordy, Music Article Guide, Fall 1993 (citation)
“Historical Women Composers for the Piano, Vol. I,” American Music Teacher, August/September 1993 (review)
“Historical Women Composers for the Piano, Vol. I,” Piano & Keyboard, July/August 1993 (review)
“Quarterly magazine on women composers released,” Moscow-Pullman Daily News, July 29, 1993 (article)
“Let the People Praise You, O God,” The Journal of the Association of Anglican Musicians, July/August 1993 (review)
“Magazine focuses on women composers,” The Boston Globe, July 2, 1993 (review)
“Fanny Mendelssohn Hensel's Sunday Musicales,” WNQ article reprinted in Journal of the Conductors' Guild, winter/spring 1993 (citation)
“Mexican Composers for the Organ, Vol 1: Ramon Noble,” The American Organist, April 1993 (review)
“Pullman's Woman of Note,” The Spokesman-Review, April 17, 1993, (article)
“Getting Through Sunday Morning,” The American Organist, March 1993 (review of Welch's Mexi-can Composers, Vol 1)
“Eighteenth-Century Women Composers for the Harpsichord or Piano,” Piano and Keyboard, Jan/Feb 1993 (review)
“Eighteenth-Century Women Composers for the Harpsichord or Piano,” American Music Teacher, Dec/Jan 1992/1993 (review)
“Eighteenth-Century Women Composers for the Harpsichord or Piano,” Clavier, December 1992 (review)
“Bathe My Soul,” “To Kindle Every Heart,” The American Organist, November 1992 (reviews)
“Schubert's Piano Teacher: Marie Kin Bigot de Morogues,” Keyboard Classics, Sept/Oct 1992 (citation and reprinting of excerpt)
“Maria Hester Park's Larghetto,” Keyboard Classics, Sept./Oct. 1992 (citation and reprinting of excerpt)
“Eighteenth-Century Women Composers for the Harpsichord or Piano,” Continuo, June 1992 (review)
“Tuning up in Pullman,” Idahonian/The Daily News, July 17, 1991 (article)


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